Tough Girls & Lucid Dreamers

handmade books by Katrina del Mar

handmade books by Katrina del Mar (with Nancy Loeber)

Tough Girls & Lucid Dreamers
Readings / Music at Participant Inc
Sunday Feb 10th 8pm

253 East Houston Street NYC

readings by:
Eileen Myles
Melissa Febos
Katrina del Mar
Amanda Pollock
Caroline McCaughey

music by:
Karyn Kuhl
Sarah Greenwood

More Info:
Artist Katrina del Mar has invited some of her favorite writers and musicians to read and perform during her exhibition GIRLS GIRLS GIRLS at Participant Inc.

 
********************

Eileen Myles was born in Boston (1949) and moved to New York in 1974 to be a poet. Snowflake/different streets(poems, 2012) is the latest of her 18 books. Inferno (a poet’s novel) came out in 2010. For The Importance of Being Iceland/travel essays in art she received a Warhol/Creative Capital grant. In 2010 the Poetry Society of America awarded Eileen the Shelley Prize. She is a Prof. Emeritus of Writing at UC San Diego. She’s a 2012 Guggenheim fellow. She lives in New York.

Melissa Febos is the author of the memoir, Whip Smart (St. Martin’s Press, 2010). Her work has been widely anthologized and appeared in publications includingGlamour, Salon, Dissent, The Southeast Review, New York Times, Bitch Magazine, The Rumpus, Drunken Boat, Hunger Mountain, and The Chronicle of Higher Education Review. She has been featured on NPR’s Fresh Air, CNN’s Dr. Drew, Anderson Cooper Live, and elsewhere. The recipient of MacDowell Colony fellowships in 2010 and 2011, and a 2012 Bread Loaf William Sloan Fellowship in Nonfiction, Melissa co-curates the Mixer Reading and Music Series in Manhattan, teaches creative writing at Sarah Lawrence College, and lives in Brooklyn.

 

Caroline McCaughey is an MFA candidate at Columbia University’s Nonfiction Writing Program. Her documentary film on Manhattan’s squatting movement, Your House Is Mine, won Brown University’s Westin Fine Arts Award. She loves her dog and hates cheese.

Amanda Pollock is a writer, bookmaker and singer based in New York City and Baltimore. Amanda was the singer in the rock and roll bands Cloaca and The Velvet Mafia. She holds a BA in English and Education from Smith College and she was awarded a first place honors in the BMCC writing and literature program for her poem “Of Hymn and Him” in 2007. She self publishes her writing in hand made books.

 

Katrina del Mar  is a New York-based photographer and award winning film director. Her solo exhibition Gangs of New York was presented in 2010 at Wrong Weather Gallery in Porto, Portugal. Invited to teach at the University of the Arts in Bremen, Germany, she conducted the first ever Queer Trash Feminist Film Workshop, also in 2010. In 2012, she presented a series of films and photographs from the Golden Age of Performance Art (1988-2000) with Dona Ann McAdams, On the Edge of Society: Moments in Live Art, at Warehouse 9, Copenhagen, Denmark.

Karyn Kuhl was born in a bank parking lot in Newark,NJ.  She had her first gig at age 9 at Sacred heart Church.  She went on to become the front person for Gut Bank and Sexpod and is currently recording her 3rd solo album.

Sarah Greenwood is a songwriter and performer, born in Switzerland to British transplants.  Graduate of the prestigious Berklee College of Music, Sarah is the recipient of multiple Professional Writing Division Awards for Songwriting from Berklee.  She released several well received eponymous EP’s including “24 Hour Shift” before forming GSX, known for its fiery live performances.  Sarah’s full length album “Manifest” was released in 2005 and GSX headlined and played both internationally, notably to a crowd of 50,000 in Reykjavik, Iceland and nationally, at notable venues including the Gramercy Theater and the notorious CBGB’s, where they opened for Joan Jett.

Advertisements

Katrina del Mar GIRLS GIRLS GIRLS Participant Inc.

I am so buzzzed, happy & grateful. Sunday night’s opening of GIRLS GIRLS GIRLS at Participant Inc. was packed with lovely people who were happy for me, happy to see one another, & really into the works. Show’s up til Feb 17: Wed-Sun 12-7 Lia Gangitano you are amazing to work with. Nancy Loeber thanks for helping me put those books together. The prints looked gorgeous thanks Carl Saytor of LuxLab! — at PARTICIPANT INC. 253 East Houston Street NY NY 10002

MORE INFO from the press release:

From January 13 – February 17, 2013, PARTICIPANT INC is proud to present GIRLS GIRLS GIRLS, a solo exhibition featuring photographs, videos, and hand-made books by New York-based artist Katrina del Mar.

This slideshow requires JavaScript.


Katrina del Mar is perhaps best known for her decades-long work in video and photography, chronicling the reality and illusion of her Lower East Side friends and lovers as punk heroines; or within her girl gang movie world of strictly female population. Creating a family tree indebted equally to B-movies and diaristic photography, del Mar’s defiantly queer photographs and videos are iconic alternatives to the cultural status quo, offering an exuberant, hyper-stylized sexuality, an unapologetic feminist voice, and often guerilla-style production tactics.

Particularly informed by the Greek word ekphrasis, a rhetorical device in which a description of a work becomes the work in and of itself, del Mar has described her practice as operating in a similar exchange: book covers and movie posters come before the books and movies and, in some instances, stand alone. She has noted, “Long after my films are finished, I am writing the novels they should have been based on. I write modern myths set in urban environments.”

With this logic in mind, GIRLS GIRLS GIRLS presents an expansive selection of photographic works, beginning with a shelf of handmade pulp fiction paperbacks. Their covers, designed first, become starting points for del Mar’s fictional excursions inside, though some remain empty. On the walls, photographs are grouped into loose narratives. Arcs and archetypes—surfer girls, bike gangs, girls playing in their rooms, bedroom scenes including the artist and others—feature dogs, cars, leather, tattoos. These become fictionalized signifiers of the threat of women’s violence, which the artist, as ringleader, marshals as an active participant. Adding light and color to the powers that urban life has to offer, del Mar creates “…a fantasy that moves from violence to sex rather than vice versa….” (Chicago Reader)

Jenifer P. Borum has noted of del Mar’s work: “These glimpses she gives us are not of marginal inhabitants of our world. Those leather femmes with their dogs. Those pierced, sleeved-out dykes on the street. They look like they’re from the cool neighborhood of the city, but they’re not from here. Like Henry Darger’s In the Realms of the Unreal, del Mar’s world is both epic and dystopian—a fictional reality that seems very much like our own, only with different rules.”

My Summer Vacation or Mortville for Womyn

Katrina does Archery

I haven’t shot a bow since I was about 9 years old. It felt amazing to do it again.

Anybody who knows me knows that I am a community builder. I started a women’s basketball game, I make movies about girl gangs. I host parties and brunches, I make meals for people, I take my friends surfing. I’ve been joking about starting a surf camp for wayward girls. When I meet new friends I like, I introduce them to old friends I like. I’ve connected people that way for years, people who went on to play in bands together, to work together. It’s part of who I am. Ex girlfriends call me “the mayor,” In some circles I am known as “the Ambassador of Good Times.”

About a year and a half ago I was newly single and I saw Randee Riot’s photo album on facebook. She called it “Summer Camp.” Within were pictured Randee and her cute pals in cuddle piles on lawn chairs, in hammocks, in sunshine, out in the woods. I was intrigued, it looked great; I wanted to be there.
So I asked her about it and she said “Oh. It’s Michigan Womyns Music Festival. Katrina, it’s amazing you have to go!.” As it turns out, a few other women I know and love go to Michfest every year; the girls I play basketball with go and they all said the same thing. “Oh my god, It’s so much fun. It’s amazing. Katrina you HAVE to go.”
So I decided. “I have to go.”

This slideshow requires JavaScript.

Honestly I didn’t even know Michfest was still going on. I had heard about it from way back. It was founded in 1976 by lesbian separatists. it’s women’s land with no men allowed. I never really was a fan of women’s music. I’m a rocker. I like AC/DC, GSX, I like punk rock. Not so much into folksy stuff apart from the occasional Kate Bush or Dolly Parton or Fiona Apple singalong.
I mean, when we were kids my stepmother played Buffy Sainte Marie and it was cute, I loved the political message. I am a feminist. I’m pro peace and nature. But please, that music is just so, uh, granola and most of its naked intimacy really makes me cringe all over.
I began, however, from Randee’s pictures and from my friends urgencies, to get the idea that Michigan Womyns Music Fest is about way more than the music. In fact, the whole experience of camping in the woods with a bunch of sexy friends who are way underdressed, the idea that we can all be together for a week in the woods and do workshops, play basketball, dance, do yoga, play football, shower together, do archery, go topless. It just all started to sound like too good to be true.
Also, I saw that Joan as Policewoman was on the bill and I like them.

Cut to early August, I didn’t have a ticket or a way to go, but a miracle happened, the heavens opened up and Randee came sailing on the Hand of God into my field of vision via text message: Contact Nicky Cutler right away; Go Magazine needs someone to go to Michfest.

So I did, it worked out and at the last possible second I got the green light. I packed up my jeep, reached out on facebook for a travel partner pal with a free week (“you have to be awesome and female”) Kat O. responded and we hit the road.

I hadn’t gone camping since I was a teenager. Since going single I’ve been threatening to go camping and here I was in the Michigan woods, pitching a tent. I felt like a girl scout again, improvising with ropes and tarp and twine and trees. We borrowed gear from other campers. We figured it out.

So how was Michfest? It was AMAZING. It was like being on a really pleasant, mellow acid trip. My cheeks ached from smiling all day long. I would say, “I’m just gonna go over here for a minute I’ll be right back.” Somehow these little errands would turn into wonderful journeys. Kat O. nailed it when she said it was like being a teenager, you’d go to the park to see what’s going on and then to someone’s basement to listen to them play music and then continue to drift pleasantly, aimlessly, throughout the evening. These desultory journeys were sensory treasure hunts; I found a spontaneous dance party, a bonfire with a rollicking conversation and someone grilling bratwurst in a cast iron skillet, bonfires with singing and s’mores, a conversation under a tree, a conversation in the shower, someone cute to make out with, a cuddle pile, a massage circle.

We also realized it reminded us tremendously of Mortville from “Desperate Living.” Minus Queen Carlotta but there were (female) leather daddies and crazy outfits and lots of gold lamé in this ramshackle, temporary city in the woods.

The showers at michfest are wide open in the woods. I stood showering with women of 70, women of 24, women of all sizes. And conversations just flowed everywhere. I felt the spirit of connecting with elders on a really sweet human level. I took an archery workshop. Other people took conscious communication workshops, dirty talk workshops, how to find your g-spot workshops. Team Dresch played and women crowd surfed without the fear of being groped by dudes. The sign language interpreters were amazing to watch. I’d never seen live music interpreted for the deaf before.

In the dark of night lit by torches and flashlights I watched a demonstration of fisting and female ejaculation. I hadn’t seen such a great graphic dirty show since Lady Hennessy took the stage at Pyramid Club in the late 80’s. I heard Dorothy Allison read her unpublished southern story within a story. I saw the milky-way, great oak trees, a raccoon in the moonlight that I whispered to. “Raccoon. I see you.”

It was my lesbian Heart of Darkness, my hippie Lord of the Flies; I went native, I drank the Kool Aid, I bought the tie-dye. It was a magnificent moment and I’ll never be the same.

There were drawbacks and downsides. Every ticket comes with 3 vegetarian meals a day and although I really like vegetarian food and would definitely cook something like what they served, somehow, overall the food just sucked. I wanted to like it. Some meals were great. But on the whole I was disappointed. I mean, would it kill them to put a little vegan bouillon in the rice? The weather on the whole was great but it did rain for two days straight and I had forgotten to pack any boots or any waterproof clothing.

One ugly thread was the political controversy that got visible this year with the implementation of red shirts to indicate the support of keeping MichFest only for wbw or “women born women.” Officially, the festival is not trans inclusive. Although I saw a full spectrum of the female gender represented from waxy, wasp-waisted high femme to bearded stone butch and a handful of ftm, mtf, trans and intersex people. It seemed like everyone was getting along. It was explained to me that no one is checking people at the gate for penises or vaginas or variants in between. It’s basically don’t ask don’t tell. However, there was a sad, uncomfortable, angry feeling among people who support trans friends and their inclusion. I brought it up with one old timer and she said yes, well, then they should start their own festival [that’s trans inclusive.] Some people simply won’t come to michfest because of this policy. Other people come and don’t tell their friends that they’re coming, because they don’t want to hurt their trans friends feelings by supporting a transphobic event. There’s an opinion floating around that the festival is losing steam and will die out because of this controversy, which is truly sad. I was pleased to see that there were trans and intersex people there, it made me feel at home because my chosen family includes queer folk of all gender persuasions.

I came home on a mission to convince all my favorite bands to play, my favorite writers to come read and to convince all my friends to come play in the woods next summer. At the end of the trip I returned to New York City and had the end of summer blues a little early. I don’t want to go back to school; to be civilized, I was Huckleberry Finn, a drifter, a girl pretending to be a boy pretending to be a girl, making friends, saving lives, having adventures, making maps, elaborate ones, of secret places, secrets with trees, with the soft ground, the surprise.
I didn’t want it to end.
all photos were taken with permission of the subject(s), and photo permission was cleared by the festival organizer / creator.

This slideshow requires JavaScript.

Documentary about Surfing in Rockaway

Katrina del Mar “Made in NY”


I recently had the pleasure to see the premiere of Elisa Garcia Bates’  documentary film “AWAY” about women who surf Rockaway in NYC. As one of the subjects of  the film, I was pleased to be in attendance along with a lot of long term die hard NYC surfers including Mary Leonard and Jee Mee Kim, who are also featured in the film. It premiered at the New York Surf Film Festival in September.

<p><a href=”http://vimeo.com/40244148″>AWAY Teaser Trailer</a> from <a href=”http://vimeo.com/elisabates”>Elisa Bates</a> on <a href=”http://vimeo.com”>Vimeo</a&gt;.</p>

I was excited to be asked to participate in the project. And I loved reconnecting with George Bates, who shot the water camera footage from which these stills were taken. I’ve known George since we were just 19 or 20. He’s a gifted illustrator and a great surfer. We had a lot of fun out surfing these little longboard waves.

Katrina surfs Rockaway

Katrina surfs Rockaway

Girl Gang Trilogy screenings in COPENHAGEN and CHICAGO

Image

“New York City filmmaker, photographer, artist and producer of massive collisions of talent and beauty, Katrina del Mar, triumphs in the underground, revels in the grit and lathers on beauty…”

COPENHAGEN 25 OCTOBER / CHICAGO OCTOBER 27

An explosion of rebel girls, rock’n’roll, and wheels by the noted New York underground filmmaker thought of as ‘the lesbian Russ Meyer’ and ‘Kenneth Angers lesbian stepchild’ – Katrina del Mar. For the first time in Denmark, MIX Copenhagen is proud to present the cult classic ‘Gang Girls trilogy’. Del Mar’s lady-loving, leather-clad cast are keeping the feminist/punk/DIY spirit alive as they cause an unpredictable ruckus through New York City. “None of us can do anything right but we all do it all day long!”

The films will be screened at Støberiet on Blågårds Plads.

The NIGHTINGALE and THE CHICAGO UNDERGROUND FILM FESTIVAL present
GIRL GANG TRILOGY by Katrina del Mar
Presented as part of The GATEWAY DRUGS Series
Katrina del Mar in Person!

at THE NIGHTINGALE THEATER
1084 N Milwaukee Avenue
http://nightingaletheatre.org/“Katrina del Mar’s 27 minute GANG GIRLS 2000 makes a powerful companion piece; a fiction about girl gangs (the Ponies, Glitter Girls), it depicts their antics (mostly fighting and kissing each other) by mixing black and white with color and clear close ups with fuzzier shots, edited with an excellent sense of rhythm and the erotic possibilities of brief close up images of a whip or a pair of lips. It’s light and humorous, a fantasy that moves from violence to sex rather than vice versa, drawing its energy not from single objects or figures but from connections between editing, speech rhythms, and character and camera movement.”
– The Chicago Reader

Program Details:
HELL ON WHEELS GANG GIRLS FOREVER (HDV/Super 8mm 36 minutes 2010)
SURF GANG (DV/Super 8mm 24 minutes 2005)
GANG GIRLS 2000 (Super8mm 27 minutes 1999)

Katrina del Mar is a New York-based art and commercial photographer, as well as an award winning filmmaker. Her work has been described as “beautiful” exuding an “intimate chemistry” and also as “filth of the highest quality.” Katrina directs and produces independent films, has produced television for the internet, while also covering the world of group and solo gallery shows, club installations, media design, production and publishing. Katrina has shown her work at Deitch Projects, The Museum for Contemporary Art (CAPC) in Bordeaux, France, American Fine Arts Company, Binz 39 in Switzerland, the Bass Museum of Art in Miami, the Miami Light Project, P.S. 122 in New York City, Wrong Weather Gallery in Porto Portugal, and the University of Cardiff in Wales. http://www.katrinadelmar.com/

Suggested Donation of $7-10

Thanks for Supporting Chicago Cinema.

The 20th Annual Chicago Underground Film Festival will be held March 6-10, 2013 at The Logan Theater visit http://www.cuff.org/ for more information

Cheerleaders

Cheerleaders

University of Stonybrook Cheerleaders boost Katrina del Mar up into the air. Swiss artist Elianna Renner invited me to help her with a multimedia project involving cheerleaders. Once our shoot was through, we had a little fun. On the far left is American Cheerleader cover girl Lenee Passiglia

Girl Gang Trilogy Screening in London

Katrina filming Gang Girls 2000 photo by Dayna Frank

SATURDAY, 14th April, 10.45pm
Hackney Picturehouse, 270 Mare Street, London E8 1HE
£8
Buy Tickets

‘None of us can do anything right but we all do it all day long!’

‘None of us can do anything right but we all do it all day long!’ Katrina Del Mar’s explosive Girl Gangs trilogy rolls into Hackney Picture House for a special screening in association with theLondon Rollergirls, who will be bringing a whole lot of attitude, a Q&A and a few derby themed shorts. We watch Del Mar’s lady-loving, leather-clad cast keeping the feminist/punk/DIY spirit alive as they cause an unpredictable ruckus through New York state. Returning from a mysterious accident that left her wheelchair bound, Crank is forced to click up quick when her gang abandons her in ‘Hell On Wheels: Gang Girls Forever!’ Will she get revenge? Two orphan sisters start a turf war on the beach in ‘Surf Gang: Ruffnecks Vs. Ungratefuls’ and four girl gangs clash and rumble through the Lower East Side in ‘Gang Girls 2000.’ Girl-on-girl solidarity lies at the heart of this trilogy. If you can roll with it, you’re in!

(reposted from the Fringe Film Fest)